Education: In-School Touring Program

The productions developed and then presented to schools were age-appropriate both in terms of type of presentation as well as the issues treated in them.
For the elementary school students, Lizard Lessons! — Delgado saw how fascinated children were with a lizard costume that had been used in the Playhouse production of Edward Albee’s Seascape, and she based this program of original staged plays based on a lizard character wearing that costume.

Presented in elementary schools, these age-appropriate “Louie the Lizard” plays focused on issues like love, acceptance, friendship and self-esteem. They also dealt with social issues that might be affecting children in this age group, such as bullying, self-image, problems faced by the physically challenged, expressing feelings in positive ways, conflict resolution, and having a single parent. Titles of just a few of these productions were “You Are What You Eat,” “Even Panthers Get the Blues,” and “It Takes Courage to be a Child.” Following performances, apprentices worked directly with the students in age-appropriate activities, asking questions about the play or teaching lyrics to a song tailored to their age group.

The Education Program offered younger children “Lizard Lessons,” which became a popular series.

A new “Louie the Lizard” play was performed at more than 70 schools each year. The programs often included age-appropriate extras: quizzes, word searches, and a Louie the Lizard design to color!

The Education Department also presented “Louie the Lizard” plays to school groups in the Encore Room at the Playhouse, creating a special and memorable class trip for the children. Playbill-type brochures were specially designed with puzzles and other games. Shown here is the workbook for “The Conflict.” See materials for these other Lizard play by clicking on their names:

For the older students, Theater for a Difference –After an initial three seasons of presenting plays to Middle School and High School students, in 1991 Delgado initiated “Theater for a Difference” for this age group.

Apprentices performed in these specially-commissioned plays that were socially relevant and designed to help young adults make responsible choices. Issues covered included topics such as prejudice, peer pressure, familial violence, drug abuse, divorce, disabilities, school shootings. Following performances, apprentices engaged the students in a discussion about the play and the issues it addressed. A study guide was provided to teachers to continue these discussions in the classroom. The program’s impact in combating negative behavior in adolescents garnered ongoing financial support from the City of Miami’s police department community crime prevention funds. Additionally, the Miami affiliate of NBC frequently featured recordings of these plays on its program “The More You Know.” These plays were:

The cast of “Willpower II.”

All these plays with the exception of “Bang, Bang You’re Dead” by William Mastrosimone were commissioned by the Coconut Grove Playhouse.

*Presented prior to initiation of “Theater for a Difference”

“Going for the Win” was the first touring production considered “Theater for a Difference:” – newly-commissioned plays dealing with social issues relevant to teenagers.

A promotional flier for the two productions presented in school during the 2001-2002 season.

Workshops for Public School Drama Classes – Ms. Delgado invited drama classes from two schools to participate in a Greek tragedy as the chorus. She hired a professional director to work with them. Coming from two different schools, the students did not know one another. Each drama class was given options on how their chorus would be expressed (movement, song, rap, etc). The principal characters were performed by acting apprentices and professional actors. This was presented to an invited audience of teachers and staff in the theater’s mezzanine.

The “Young Playwrights Program” taught monologue writing to middle school and high school students

A group of students observing a playreading of “The Me Nobody Knows.”