Coconut Grove Playhouse
  • Productions
  • Collaborators
  • Memorabilia
    • Programs
    • Photographs
    • Publicity
    • Promotional
    • Oral History
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    • Building Photos
    • Education Program
    • Books
  • History
    • Timeline
    • Overview
    • 1926-1955 : Movie House
    • 1955-1976: For-profit Theater
    • 1977-2006: Not-for-profit Theater
  • Education
    • 1956-1976
    • 1977-1984
    • 1985-2006
    • – Acting Apprentice Program
    • – In-School Touring Program
    • – Classes at the Playhouse
    • – Other Initiatives
  • Origin
    • How to Use CGP Archives
    • Frequently Asked Questions
    • Origin
    • What it includes
    • How materials were collected
    • Acknowledgements
    • Rights and Access
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Kip Cohen

Associate/Assistant | Producer | Sets / Scenery | Stage Manager

Productions

  • The Tenth Man
  • A Thousand Clowns
  • Never Too Late (1962-1963)
  • The Roar of the Greasepaint, the Smell of the Crowd
  • Seidman And Son
  • Never Too Late (1964-1965)
  • Gypsy
  • Man With The Perfect Wife
  • Porgy And Bess
  • Rattle Of A Simple Man
  • Who's Afraid Of Virginia Woolf?
  • Stop The World-I Want to Get Off
  • The Unexpected Guest
  • Nobody Loves An Albatross
  • Barefoot In The Park
  • After The Fall
  • A Case Of Libel
  • Good-By, Ghost
  • The Owl & The Pussycat
  • Peter Pan
  • The King And I
  • The Zulu & The Zayda
  • The Glass Menagerie (1965-1966)
  • The Well-Dressed Liar
  • The Subject Was Roses
  • The Roar of the Greasepaint, The Smell of the Crowd (1966)
  • Catch Me If You Can
  • Beyond The Fringe
  • The Pleasure of his Company
  • The Lion In Winter
  • Marat/Sade (The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade)
  • The Odd Couple
  • Productions
  • Collaborators
  • Memorabilia
  • History
  • Education
  • Origin
Archive made possible by a generous grant from the John S. and James L. Knight Foundation.

Information in this archive is for educational purposes only and is not offered for reproduction or inclusion in other sites or publications. The material is not to be used for any commercial purposes. This work may be protected by copyright. Published 2025